Exhibition in the Gallery – bathroom Bevensen-Kurverwaltung artists vom-international artists Association / Cologne Juliane Helene Berger-Malerei-Dannenberg, Uelzen / Elbe Margareta Schulz-Malerei-St. Augustin LILO Werner-photography Bonn bad Bevensen. Under the title of fire, water, air and Earth”Juliane Helene Berger, Margareta Schulz and Lilo Werner show work of the Kurhaus in bad Bevensen in the ambulatory. The title of the exhibition was elected both considering the exhibition site as well as in relation to the current activities of the artists. In the industry – and copper Museum in Charles Town, which appeared in a catalog, works at the Art Center are after the exhibition road connecting cultures”, 2009, from 7 March to 10th April 2010″ first woman Museum in the Gambia on the subject of Liberte, egalite, Fraternite pour les hommes’ have been seen.

In her work, the artists also in Luneburg showed a little insight in Chamber of Commerce and industry. Speaking candidly robert c. robbins told us the story. From 17 June to 27 August 2010 land and District Court “Bonn in the framework of the international exhibition, Bonn, Wilhelmstrasse 21 freedom” to see new work. Juliane Helene Berger’s works expressed in twisting ribbons – a flow of energy. The dynamic structuring of the pictorial surface allows the Viewer to understand the personal movement gestures of the artist and to become one with your art. Their ornamental emblems are used on a white screen EM.

Light and dark shades spray for the unformed reason out. Bright areas of the image are covered by dark hues. There is no contiguous color matte, but a break above contours. Thus, the Association openness of the observer is maintained. Employ lately they work on with the people matter man as a pawn “-is at the heart of a contrast.” The elements play in nature: wild water foams, flames blaze, breaking up the Earth. In between the deformed man drives. He is no longer the crowning of creation, but only Prisoner of his ailing company, which arises through dubious gene manipulation in their identity into question. The checkerboard is a symbol for the people as a mindless pawn. In the life of Margareta Schulz, music occupies a high priority. “She shows so on paper webs work series Cumbia”, from the series of works of Salsa “. The rhythm created by the stomping of the feet, as were the slaves in chains was interpreted. The CUMBIA is in their 4/4 beat of the marching music. A passion and fireworks of tones, that can attack that penetrates and breaks with this own music history but developed. Musical passion, with the simplest of means produces (2 pieces of wood = Clave) splits with, is expanding and can be feet and legs swing. Other instruments can be circling the body around its Center and lead the movement from Center out. My works have been created not only in memory of this music”, says Margareta Schulz. I hear this music when working, move me and the material in the rhythm of which music – music became the image – became a dancing figure image.” The graphic photographs of Lilo Werner stand in contrast to the painting. North-South reminds me of spontaneously bridges that connect the North to the South”, as the artist. In another interpretation of the theme, it shows people of different parts of the world, who meet and become friends, dream the same dreams and have the same desires. Text: Juliane Helene Berger